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VERSE OF THE DAY “Train up a child in the way he should go.” Proverbs 22:6
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MOVIE REVIEW

FINDING EMILY

A university romance filled with deception and forgiveness.

2026PG-13111 minutesFocus FeaturesRomantic Comedy
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ENTERTAINMENT QUALITY ★★★ 3 / 4 Cliche with a twist and opportunities for important conversations.
FAMILY CONTENT Extreme Caution −2 on the +4 to −4 scale Young adults and adult viewing only due to frequent profanity, crude sexual jokes, and drinking.
BEST FOR College aged teens and adults who enjoy the classic romantic comedy storyline with a twist.
NOT FOR Children, teens, and adults viewers sensitive to crude humor.
CONTENT IN ONE LINE Primarily romantic worldview with moderate profanity and crude language, frequent drinking and bar environments, sexual references, and themes of manipulation and deception, but also accountability and forgiveness.
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Should You Watch It?

Be ready for what this romance cooks up. If you like modern romantic comedies set on a college campus, this one will hook you. The narrative cleverly shifts focus from the male lead to the female lead. It makes solid points about modern dating, the "manic pixie dream girl" trope, the real need for campus safety, and beautifully depicts grounding support systems.

The movie leans hard into bar culture, crude sexual humor, and persistent profanity. Viewers who want a more wholesome "how they met" story will leave frustrated at how easily the movie brushes aside deception and unlawful manipulation in the name of romance. It rewards self-serving choices, conflates true biblical forgiveness with immediate enablement, and lets romance bypass the hard work of rebuilding trust. No need to rush to the theater for this one. It can wait until you’re curled up on the couch.

The Story

NO SPOILERS — WE KEEP THE SURPRISES

A young man meets his dream girl at the club where he works. He rushes outside to get her number, but discovers the next morning that it’s missing a digit. Desperate to track her down at the local university, he begins searching for every Emily he can find. However, his efforts quickly spiral out of control, triggering serious safety concerns among the female students on campus. He must clear his name, find his Emily, or shift his attention to someone else along the way.

Is It Any Good?

This one earns a solid three stars. It loses points for its reliance on romantic-comedy clichés, a plot that leans on familiar campus-movie beats, and missed chances to dig into deception, forgiveness, and trust.

Still, the movie's pacing stays brisk from the opening scene through the final act, and it never drags the way many campus rom-coms do. It makes the case that honesty matters more than a grand romantic gesture, and it backs that up rather than just saying it.

It also delivers genuine laughs, a handful of quotable lines, and sharp observations on one-sided infatuation that ring true to anyone who has watched a friend chase someone who barely notices them.

The supporting cast carries a lot of that weight, and their chemistry keeps the middle stretch from sagging even when the plot slows down. Parents weighing whether to let older teens watch will find plenty here to consider before pressing play.

The Worldview

A Romantic worldview lies at the heart of this movie, ultimately promoting romantic self-interest. It opens with Sigmund Freud's claim that love amounts to temporary insanity. This line reduces love to an irrational, self-serving impulse rather than a sacrificial commitment rooted in God's character.

The movie makes valid points about the mistreatment of women, modern dating, privacy breaches, and the frustration people feel when leadership dismisses legitimate concerns. Yet it undercuts its own point. The movie turns its most outspoken feminist-coded character into a punchline rather than a person with a real grievance.

Owen tracks and pursues her without her consent, and the movie treats that as comedy, not a problem. Homosexual culture also runs as a quiet thread in the background, present in passing rather than addressed directly. Still, the movie depicts the need for truth well. The male lead rightly declares that he wants honesty rather than grand gestures, and he chooses forgiveness.

The movie goes wrong when it confuses forgiveness with enablement. Scripture teaches that God lavishes unfailing love and forgives sin, but He never excuses it (Exodus 34:7). Biblical restoration demands truth and boundaries.

Movieguide® worldview codes: B, RoRo, HoHo, PC, Fe, LL, V, SS, N, AA, D, MM — preserved for our database, awards research and the annual Report to the Entertainment Industry. What the codes mean →

The Content Guide

The specifics — spoilers included by nature — so you can judge for your own family.

Dominant Worldview and Other Worldview Content/Elements

A mixed worldview of heavy self-absorbed romantic self-interest and light biblical virtues. Homosexual culture and feminist elements throughout

Foul Language

21 language obscenities including three "sh" words, two "t" words(referencing breasts), one "a" word," the British "t" word the "p" word (a male jerk), and the "p" word for urination. It also features crude terms like "b-lls," "r-pist virgin," "pedophile," "predator," "pervy," and "creep," as well as "ding dong," an unserious "bless him," one profane use of "Christ," crosses shown at a bar, and two non-glorifying references to Jesus in background music

Violence

A woman's lip is busted accidentally at a bar with blood, sibling fighting, and physical confrontation where a girl gets in a man's face after wrongly assuming he hit the woman he was with

Sex

Characters discussing how many people they have slept with, multiple bars showcasing male/female impersonators, a character wearing an "I kiss girls" shirt alongside references to lesbianism, couple kssing heavily while sitting in a man's lap between a woman's legs, and two extended kissing scenes

Nudity

Depiction of a woman peeing where her underwear is visible as she walks away, upper male nudity with man seen with his shirt off and underwear waistband showing, and women wear revealing clothing, including a crop tops and visible cleavage

Alcohol Use

Frequent depictions of drinking, clubbing, and bar scenes

Smoking and/or Drug Use and Abuse

Dialogue references to people being "massive coke heads" and a bartender asks a patron if she has bought weed from her previously;

Miscellaneous Immorality

Deception, name-calling, lying, and unethical behavior, including secretly using a person as an unconsenting participant, forging someone’s signature, manipulation, breach of privacy, mention of someone putting a peephole in the women's bathroom and not being reprimanded for it, and administrative dismissal of student safety concerns.

Talk About It

Questions for the drive home, the dinner table, or the youth group.

01

There is a difference between forgiveness and enablement. God forgives sin, but He doesn’t condone it. How can you discern and set boundaries following forgiveness? Even if just for a season? Exodus 34:7

02

Major ethical guidelines were crossed in the name of advancing one's own research. When our personal ambition tempts us to compromise, how can you stay rooted in the truth of God’s word to walk uprightly? Proverbs 11:3 ESV

03

David acted unjustly in order to cover up his actions. Why do you think the Bible calls Bathsheba ‘Uriahs Wife’ up until after David’s first born son sadly passes away? 2 Samuel 12:24

The Final Word

FINDING EMILY comfortably earns its quality rating, but its crude humor, heavy bar culture, and blurred lines between forgiveness and enablement make it a movie better watched at home than at the theater, it at all. Viewers who want a warm, lightly moral story about humility and second chances won't find it here.

THE VERDICT WAIT FOR HOME
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