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TV REVIEW

SULLIVAN’S CROSSING Episode 2.1

A pretty setting, a decent father story, and dull soap-opera filler.

2024TV-PG45 MinutesThe CWMedical Drama/Soap Opera
Wait and see.
ENTERTAINMENT QUALITY ★★★★ 2 / 4 Solid craft, flat writing, heavy melodrama.
FAMILY CONTENT Discernment −1 on the +4 to −4 scale Caution advised, especially for teens and young adults.
CONTENT LEVELS NONE → HEAVY
Language Light
Violence Light
Sex Light
Nudity Light
BEST FOR Teens and young adults who like CW-style small-town dramas and can watch with discernment.
NOT FOR Younger viewers, or anyone uneasy with a pregnancy outside marriage treated as a minor inconvenience rather than a moral question.
CONTENT IN ONE LINE An out-of-wedlock pregnancy kept casually secret, a man's shirtless scene, brief hospital violence, and one mild profanity.
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Should You Watch It?

Here's the honest read. The season two premiere of Sullivan's Crossing has real strengths: a well-acted father-daughter storyline, gorgeous location shots of Nova Scotia, and a genuine sense of small-town community looking after its own. If that were the whole show, this would be an easy recommendation.

It isn't the whole show. The subplots outside the hospital room feel robotic and dull, the melodrama runs heavy, and the season's central complication — Maggie's secret, out-of-wedlock pregnancy — gets treated as an embarrassment to manage rather than a moral reality to reckon with. There's also a gratuitous shirtless scene and some brief, bloody hospital violence.

This is a show for older teens and young adults who can watch with some discernment, not a family sit-down. Fans of the CW's brand of soap drama will find enough here to keep watching; everyone else can wait and see how the season develops before investing.

The Story

NO SPOILERS — WE KEEP THE SURPRISES

Maggie Sullivan (Morgan Kohan) was a rising Boston neurosurgeon until a scandal sent her back to the small town where she grew up. Season two opens with a crisis: her estranged father, Sully, suffers a stroke, and Maggie — guilty over a recent argument with him — rushes to his side. As the town rallies around Sully's recovery, Maggie is nursing a secret of her own: a pregnancy she hasn't told anyone about, including the two men in her life who might be the father. Can she mend things with her dad before it's too late?

Is It Any Good?

Two stars means this one is a mixed bag, and the source material bears that out plainly. The hospital storyline centered on Sully is the episode's best work — well-acted, occasionally moving, and genuinely about a man trying to become better for his family. The location shooting in Nova Scotia gives the show a handsome, cinematic backdrop, and the camerawork (including a soft depth-of-field blur in dialogue scenes) is a cut above typical CW fare.

The trouble is everything built around that core. The non-Maggie subplots land flat, and the dialogue often feels stiff and generated rather than lived-in. It's a show with one strong pillar and a lot of scaffolding that doesn't hold weight.

The Worldview

Sullivan's Crossing isn't explicitly Christian, but it isn't hostile to faith either — it runs on a humanistic worldview dressed in Christian-adjacent clothing. The town models real virtues: community, sacrifice, looking after your neighbor, and a father working to redeem his past mistakes. Maggie's medical vocation is framed as genuine care for the people in her charge, not just ambition. Two Indigenous characters bring their own cultural presence to the town's fabric, and the community rallies around Sully in his crisis in a way that honors family loyalty.

Where the show falls short is in how casually it treats Maggie's pregnancy. She does choose a pro-life path, which the source notes approvingly — but she hides the pregnancy out of embarrassment rather than facing it honestly with the people who love her, and the show never treats her prior relationship outside marriage as a real moral question. Secrecy, in this story, is a plot device rather than a burden to be repented of and released.

That tension between admirable community values and casual moral compromise is the show's real worldview: good instincts toward family and neighbor, undercut by a shrug where conviction should be. Scripture names both the ache and the answer here — the prodigal's father runs to meet him "while he was still a long way off" (Luke 15:20), but reconciliation in that story requires honesty, not hiding.

Movieguide® worldview codes: BB, C, H, L, V, S, N, D, M — preserved for our database, awards research and the annual Report to the Entertainment Industry. What the codes mean →

The Content Guide

The specifics — spoilers included by nature — so you can judge for your own family.

Dominant Worldview and Other Worldview Content/Elements

A strong humanistic worldview with Christian-adjacent elements, the town of Sullivan’s Crossing embraces the values of a strong community and giving its people a hand, the protagonist is a neurosurgeon who looks after the health of her family, the heroine’s father works to redeem his past mistakes and become a responsible man in his hometown, the extended cast members get into complicated romantic situations, and the heroine goes the “pro-life” route despite getting pregnant out of wedlock

Foul Language

The father character exclaims “damn”

Violence

Moderate hospital action throughout, a father’s body is dragged to ER during the opening scene, a man gets into a violent outburst and throws a game board off his bed, an elderly man’s bloody hip injury is briefly shown, and another patient collapses onto the floor in the hospital

Sex

No onscreen sex, but the heroine “slept” with a potential love interest in season one and she is pregnant without getting married first, and several side characters engage in casual flirting in town

Nudity

A male cohort takes off his shirt and showcases his abs to his female roommate

Alcohol Use

No alcohol use

Smoking and/or Drug Use and Abuse

No smoking, but painkillers are injected into a stroke victim and a man suffering from a hip injury;

Miscellaneous Immorality

The heroine keeps her pregnancy a secret from her two love interests and the rest of the cast, and a father harasses a nurse for not being “fast enough” for his requests.

Talk About It

Questions for the drive home, the dinner table, or the youth group.

01

Maggie hides her pregnancy out of fear of embarrassment. What's the difference between privacy and hiding something out of shame — and what does Scripture say about walking in the light?

1 John 1:7 · Proverbs 28:13
02

Sully wants to "redeem" his past mistakes with his daughter. What does real redemption require, beyond good intentions?

Luke 15:20–24 · 2 Corinthians 5:17–18
03

The town of Sullivan's Crossing rallies around Sully in his crisis. How does your family or church show up for people in a medical emergency?

Galatians 6:2 · James 2:15–17
04

Maggie chooses a pro-life path even though her pregnancy came outside marriage. Why can a good choice in one area still leave other choices unaddressed?

Romans 12:2 · Psalm 139:13–16

The Final Word

Sullivan's Crossing has the bones of something better than it currently is — a caring father story, a beautiful setting, a community worth admiring. But the writing around that core is flat, and the show's easy attitude toward Maggie's secret pregnancy means this isn't one for the family couch. Our answer stands: wait and see. Looking for something the whole family can watch together tonight? Start here:.

THE VERDICT Wait and see.
Planning family movie night instead? Start with this week’s family-friendly picks →

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