SOMEONE LIKE YOU (2024)

Here is the decision, and it's an easy one to make gladly. Karen Kingsbury's novel comes to the screen as a heartfelt Christian romance — clean, uplifting, and unafraid of its faith. Characters pray on screen, discuss their beliefs openly, and the story holds firmly to family values and the sanctity of life in the womb. It's the kind of movie you can enjoy without bracing for what comes next.

The only note of caution is gentle. The story turns on the death of a beloved young woman, hit by a car, and it carries themes of grief, loss, and in vitro birth. None of it is graphic — the accident happens off screen — but the subject matter may be heavy for the youngest children.

So: if you're looking for warm, wholesome entertainment with a genuine faith-based perspective, take the trip. Bring the older kids and up; use your judgment with the little ones.

Dawson Gage lives a quiet life as an architect in Birmingham, Alabama. He spends his days with his best friend, London, taking her on adventures while chivalrously keeping his true feelings to himself.

Then London is hit by a car, and Dawson prays for the woman he loves. God answers in a way he never expected: Dawson learns that London has a biological twin, conceived in vitro and given to a family in Nashville. And so he sets out on a journey to find London's long-lost sister — and, perhaps, a new beginning.

Four stars, and they're earned. This is a heartfelt, well-crafted romantic drama that knows exactly what it wants to be and delivers it with warmth. The story of love and reconciliation is genuinely moving, and the faith woven through it feels natural rather than forced.

Kingsbury's storytelling translates to the screen as clean, uplifting entertainment with a clear point of view — prayer, forgiveness, and love carry the film from start to finish. What comes through unmistakably is the sincerity of the whole enterprise: a romance built on grief and hope that leaves you glad you watched.

This is a film with a very strong Christian, moral heart, and it wears that heart openly. Its dominant themes are forgiveness, redemption, love, and family — the very things Scripture calls us to pursue. Characters pray, discuss their faith on screen, and turn to God in the middle of loss rather than away from Him.

Just as strikingly, the film affirms the sanctity of life. It directly recognizes the life of human embryos and treats in vitro conception not as a plot device but as a matter of real human worth. In a culture that often looks away, this movie chooses to look with love. Its pro-life convictions are woven into the story itself, not bolted on.

At its center is a longing that runs through all of us — for love that outlasts loss, and for reconciliation with those we've been separated from. Dawson's grief becomes the doorway to a new beginning, and the film trusts that God can bring life out of sorrow. That trust echoes the promise that "weeping may tarry for the night, but joy comes with the morning" (Psalm 30:5).

This is exactly the kind of movie a family can enjoy together: warm, clean, faith-filled, and built on love, forgiveness, and the sanctity of life. The themes of death and grief may be a touch heavy for the smallest viewers, but for older children and up, this is a gift. So here's our answer, the same one we opened with: worth the trip.